January 18, 2011

French football and symbolic killing?

Just a few months removed from their embarrassing qualification win against Ireland and even more embarrassing appearance at the 2010 World Cup in South Africa, France is headed in some bold new directions.

The French team in 2010

You may remember that France was only able to advance to the World Cup after a deliberate Thierry Henry handball that went uncalled, led to the game-winning goal in a play-off game against Ireland. Once arriving at the World Cup, the French team tied Uruguay in their first group match, 0-0, and then lost to Mexico 2-0 in their second match. After that game, French forward Nicolas Anelka was kicked off the team for a profanity-laced tirade directed at head coach Raymond Domenech.

What happened next was pure insanity. The next day, Domenech's team refused to take the practice field in support of their banished teammate. The team's general manager/director marched off the field and resigned from the French Football Federation in disgrace.

French players huddled on the sidelines...

...while Domenech (white hair by the corner flag) faced the press.

The bizarre turn of events saw practice cancelled and, unsurprisingly, two days later the team lost their final group stage game to South Africa by a score of 2-1, thus, ending a disastrous World Cup campaign. Subsequently, Domenech was fired and, in order to quell fan uproar, the President of France Nicolas Sarkozy held meetings with a number of players to discuss the team's meltdown in South Africa.

Here's where rhetorical theorist Kenneth Burke steps in. Burke believed that in order to rid ourselves of guilt, we employ two rhetorical processes - victimage and self-mortification. So, in order to work towards repairing its national football image, first, the team - as well as the country of France - needed to find a scapegoat to burden with collective guilt and disappointment. Domenech served as one scapegoat, but to go even further, all 23 players from the World Cup team were suspended from the team's first post-World Cup match against Norway (France lost the away fixture 2-1). Furthermore, four of the more disruptive players from the World Cup were suspended from the French team for multiple games (Anelka was suspended for 18 matches).

The second part of the purification process, self-mortification involves what Burke calls "symbolic killing." Examples of this kind of mortification include things like New Year's resolutions or getting a drastically different hair cut or tattoo. These actions become transformative in some way, where the old persona is shed for a new one. In the case of French Football, their mortification process began just after the World Cup, when former French national team member - and 1998 World Cup winner - Laurent Blanc was introduced as the team's new coach.

But, it continued in today with the unveiling of a new team uniform. And not only is it a new uniform, but a new apparel provider. After 38 years with Adidas, the French Federation signed a 7-year deal worth roughly $56 million per year to wear Nike products.

The new Nike jersey unveiled on Monday is a stark contrast 
to the 2010 jersey, at the top of the post.

Stitched on the inside of the jersey, behind the badge, reads the saying "Nos Differences Nous Unissent" (our differences unite us), a subtle reminder against the infighting that took place in South Africa as well as national racial tensions that have surfaced around the team's multicultural composition.

Furthermore, in the press conference announcing the jersey, Blanc spoke to the new persona of the team as a result of the jersey change:
"This jersey represents the spirit of French elegance, something recognized all over the world. The true collar, the new blue, the addition of the red really enhance the new kit. It goes well with the philosophy I want to create: creativity, humbleness, ambition."
And, to cement the new kit with meaning, Nike has produced the following video that details not only the new product, but the team's "new philosophy" under coach Laurent Blanc.


To me, this is both obvious and fascinating. The next question is, will it work? Inevitably, as Kenneth Burke insists, any pursuit for perfection will let ultimately fail and the feeling of guilt will return, thereby initiating the process all over again. Even if France, and it's new philosophy, wins the next World Cup.

January 3, 2011

Spectacular

Over the weekend, the NHL staged their latest Winter Classic outdoor game, a matchup that pits two teams outdoors, in the elements, hearkening back to hockey's roots...or at least, that's the nostalgic frame the NHL is selling us. Anyway, the event took place at Heinz Field in Pittsburgh and featured the hometown Penguins against the Washington Capitals.

The Caps took the win in the league's 4th annual event, which was postponed to an 8pm start time due to rain, but garnered the highest ratings of any Winter Classic and was the most watched regular season NHL game since 1975.

The lead play-by-play announcer Doc Emrick couldn't resist the word "spectacle" at least 3 or 4 times during the NBC telecast. Here's what he meant by it.

The opening faceoff at Heinz Field

The game featured an announced crowd of 68,111


Well, when it comes to spectacle, the ATP (Association of Tennis Professionals) saw the NHL spectacle and attempted to do it one better. Borrowing the out-of-place playing field notion, with the Penguins and Capitals tussling in an NFL stadium, the ATP put its two top male players - Roger Federer and Rafael Nadal - on a floating tennis court in the middle of Doha Bay, Qatar, to publicize the start of the 2011 ATP season.

Good luck fetching aces

Federer

Now, the ATP has been known to pull out all the stops to promote the beginning of the tennis season. The last two New Year's Days in Doha featured Rafa and Federer playing atop a floating magic carpet (2009) and on a platformed boat (2010).

New Year's Day 2009 in Doha

New Year's Day 2010 in Doha Bay

But with the two tennis greats facing each other on a floating court, NHL, consider the stakes for spectacle raised.